the 444 INK zine
The Digital Archive
The 444 INK zine was born from my love of physical media. I wanted my clients and prospective clients to have a visual they could hold that told them about who I am as an artist, what value in my practice as well, as well as show off my craft. As someone who also values accessibility, I felt it important to centralize a digital collection of the copy from my zine.
As this project expands past my own practice, my journalistic aim is to highlight other artists promoting the progression of the tattoo industry towards a more expansive and inclusive place. Consider this the newsletter bullet pointing the articles, interviews, and artist features found in the 444 INK zine.
If you would like to be featured, please follow the request form.
You Are NOT A Canvas
article by IV Ninh
Shows like Ink Master perpetuate the idea that a person’s body should be treated as a canvas for a tattoo artist. That in order to be a good canvas you must automatically concede to your artist, sit still and do your best not to bother them. In my studio, the best canvas is a consenting and informed client. I engage with tattooing from a trauma informed lens, there is no room in my practice for intimidation.
I aim to create a space where my clients can shed having to be a “good canvas”. You are a person whose pain I’m holding. From the first point of physical contact until the last, you are in charge. This may be my art but this is your body. And that is more important.
I work collaboratively so that people feel empowered to ask me for changes. From their design to the way I am engaging with them (both physically and emotionally), no ask is too small to be heard. Not only will you be respected but you will be supported. How can I make you feel secure asking for adjustment, safe setting boundaries, and more comfortable in my chair?
One of the reasons I love getting to give people their first tattoo is because I get to set the tone for the rest of their tattooing life. Showing them that it is an artist’s job to make them feel safe and the moment we don’t is the moment they should stop a session and leave. As someone who has witnessed, experienced and heard horror stories of uncomfortable or abusive tattoo sessions, it is healing for me to set the bar higher and higher for everyone who trusts me with their bodies.
Style Evolution
highlight by IV Ninh
Since I can remember, I have been searching for a way back home without a map. I began creating pen and ink drawings as a way to illustrate my journal entries.
My illustrations took the shape of my unknown ancestry, and acted as a visual processing of what I've uncovered and what still avails. These heavy linework based portraits began my journey into tattooing as they earned me an apprenticeship.
Although my tattooing style couldn't be further from the style I used to illustrate in, it is still a representation of my blended, third culture.
I create designs like a map for anyone akin to me, also lost.
I draw tattoos you can trace back to ancestors. Art you can use as a tether to your body, a knot securing your future, and a link to the past.